Thursday, September 29, 2011

Out Stealing Horses - Per Petterson

I'll come right out and say it, I didn't like the book. But I think it's not because the book is badly written or because of the subject matter, rather I think it's because I just didn't get it. To me the book seemed disjointed, repetitive, and boring. And yet I feel that it's me that's the problem and not the book.

Looking at online reviews, I am struck by one that says, "The 'payoff', if it can be called that, is not a gratification of the reader's curiousity, but an impressionistic portrait of the sum total of a life." There. That's it. That's the problem. I dislike movies and books that are portraits of anything or anyone. I like a story, I want something to happen. Ideally, something where the bad guy is punished and the good guy rides off into the sunset to live happily ever after. I don't get coming of age stories, or ones that depict a certain epoch. I find them boring because nothing happens. I don't care about the characters and I don't care what happens to them.

I also think that not knowing Norway's history hurt my understanding of the book. I kept waiting for something about the Germans or the Holocaust to come up in the book. And other than a reference to some Germans guarding a bridge, there was nothing about the war or any part of it. I can't say that if I knew more about Norway's and Germany's interactions during the Holocaust I would like this book, but it couldn't hurt. I kept reading this book and feeling like I was missing something. Like the author was trying to say something subtly by the comings and goings of Trond's father in his youth and how the family moved around some, but I was left in the dark. And I just remembered that it was a translation, that may also have influenced how I felt. I did feel like I was missing something probably lost in translation.

I also read the book in fits and starts on the subway to and from work. I wonder if that contributed to the book feeling disjointed. I read that way all the time and usually can pick up where I left off, but I had a hard time remembering what happened in this book and a lot of the memories seemed similar and thus repetitive. And then that twin shot the other one. After the twin shot his brother. And then when the twin accidentally shot the other twin. It was hard to find my place time after time. I came away from the book feeling like I'd visited an old man who told me the story. The book seemed to take forever to read even though it was a short book.

How did you ladies feel about the book? What was discussed? I feel that I am being too harsh on the book. I wish I had more story/character-specific questions but I don't remember the book very well anymore and I feel that there wasn't a whole lot of questions from the story for me to ask.

Monday, March 14, 2011

Miral by Rula Jebreal - Bookclub Book

For the month of March, we read Miral by Rula Jebreal. Since we weren't able to meet up in person to discuss the book, we'll be leaving our thoughts on the blog. Here are some discussion questions to help the dialog along:
  1. On page 8, Hind reminisces about the opening of the school and "how bare the spot had been before the school was established." What role does the school play in the story? What does it symbolize?
  2. Do you fault Nadia for fleeing from her family and new stepfather? Did she make the right decision to leave her sisters? Did she have a choice?
  3. The novel is divided into sections centered on a particular character. What effect do you think the structure has on the story?
  4. Jerusalem is "a city divided in two" (19), "rooted in soil drenched with innocent blood" (9) but with "minarets and steeples jutting into the sky" (9). Consider the contrasts in the novel—the images of terror combined with the images of hope. What do you make of the contrast between the Old City and West Jerusalem? Do the characters in the novel believe they can coexist? Do you?
  5. Compare and contrast Hind and Miral. How are the two alike? How are they different? Does Miral's rebellious nature and desire for justice seem similar to or different from Hind's? Are they fighting for the same cause?
  6. Discuss the idea of solitude in the novel; how does solitude shape the lives of the characters? Consider Hind, Nadia, Jamal, Hani, and Miral's different lives.
  7. What is Hani's influence on Miral's life?
  8. While living at Dar El-Tifel, Miral loses a pair of classmates to the violent struggle, Aziza and Sahar. She reveals on page 118 "her sense that the world outside was a horrible place." How do these two stories inform the novel? How did they affect Miral's personal decisions in their aftermath?
  9. What did you make of Samer and Lisa's relationship? What did Miral seem to take away from seeing the two of them together?
  10. Revisit the torture scene on page 226. Did the brutality surprise you? What moment was most memorable in this scene? How did this experience affect Miral?
  11. When Miral sees Hani for the last time, he shares his vision for the future and his ideas about peace with her. "This road is too bloody, it has no exit… we can't go on fighting forever" (288). Considering Miral's decision at the end of the novel, and the events that have taken place in Palestine and Israel since the Oslo Accords, what do you take away from the novel?